Olympus Announces The New E620 Digital DSLR
According to the company, the E620's high-performance 12.3 megapixel Live MOS sensor delivers excellent dynamic range, accurate colour fidelity and utilizes a state-of-the-art amplifier.
Full details below:
Product type: Single-lens reflex Live View digital camera with interchangeable lens system
Memory: CompactFlash Type I/II (UDMA), Microdrive, xD-Picture Card (Dual-Slot)
Sensor size: 17.3 mm (H) x 13.0 mm (V)
Lens mount: Four Thirds Mount
Effective Pixels Number: 12.3 million pixels Image Pickup Unit
Product type: High speed Live MOS Sensor
Total no. of pixels: Approx. 13.1 million pixels
Aspect ratio: 1.33 (4:3)
Filter array: Primary color filter (RGB)
LPF: Fixed type
IR cut filter: Hybrid type
Dust reduction: Supersonic Wave Filter (dust reduction system for image sensor)
Recording format: DCF, DPOF compatible/Exif, PRINT Image Matching III
File format: RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording image size: [RAW] 4032 x 3024 pixels
[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
File size
RAW: 4032 x 3024 (approx. 1/1.5 lossless compressed) Approx. 13.9MB
Large: 4032 x 3024 Super fine (1/2.7 compressed) Approx. 8.2MB
Middle: 3200 x 2400 Super fine (1/2.7 compressed) Approx. 5.4MB
Small: 1600 x 1200 Super fine (1/2.7 compressed) Approx. 1.3MB
Viewfinder: Eye-level single-lens reflex viewfinder
Field of view: Approx. 95%
Viewfinder magnification: Approx.0.96x (-1m-1, 50mm lens, infinity)
Eye point: Approx. 18 mm (-1m-1) *from eyepiece lens
Diopter adjustment range: -3.0 - +1m-1
Focusing screen: Fixed (Neo Lumi-Micro Mat screen)
Eyepiece shutter: Eye piece cover EPC-1 supplied
Eye cup: Interchangeable type EP-5/6/7/8, EP-8 is supplied (Magnifier Eyecup ME-1 is available)
Optical Preview (view finder): Available to set to Fn button
Live preview: Available to set to Fn button
View finder information: Aperture value, Shutter speed, Record mode, AF confirmation mark, Flash, WB, AE lock, Number of storable still images, Exposure compensation value, Metering mode, Battery warning, Exposure mode, AF frame (super impose), IS, Bracket, ISO value
Live View: High speed Live MOS Sensor for still picture shooting is used, 100% field of view, Exposure adjustment pre-view, White balance adjustment pre-view, Gradation auto pre-view, Face detection pre-view, Perfect shot pre-view, Grid line displayable, 5x/7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, Shooting information, Histogram, IS activating mode.
AF: High speed imager AF, Phase-difference detection AF
Image Stabilizer System: Built in (Imager shift image stabilizer)
Mode: 3 modes (2 dimensional activation, 1 dimensional activation in landscape frame to vertical direction moving, 1 dimensional activation in portrait frame to horizontal direction moving )
Manual Function: input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Effective compensation range: Approx.4EV steps (in maximum effect)
Shutter speed range: 2 - 1/4000 sec.
Monitor: HyperCrystal Ⅲ LCD (transmissive TFT color LCD)
Size: 2.7 inches
Total no. of pixels: Approx. 230,000 dots
Playback field of view: 100%
Brightness control: 15 levels
Color Balance: 15 levels
Focusing: AF system TTL phase-difference detection systemContrast detection system (with 25mm f2.8, 14-42mm f3.5-5.6, 40-150mm f4.0-5.6, 9-18mm f4.0-5.6, 14-54mm f2.8-3.5II)
Focus mode: Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / C-AF + MF * C-AF mode is not available with the contrast detection system
Focusing point: 7 points AF sensor with the phase-difference detection system (5points cross AF sensor / 7 points twin AF sensor )7-area multiple AF with the contrast detection system (Auto, selectable in option)
Focusing point selection: Single target, All targets with the phase-difference detection systemSingle, all 7 area, or Face detection with the contrast detection system
AF luminance range (phase-difference detection system): EV -1 to 19 (at 20℃, ISO 100)
AF illuminator (phase-difference detection system): Built-in flash (external flash available)
AF lock: Locked at first position of Shutter button in Single AF mode / AEL button (customizable)
Focus tracking: Interlocked with Continuous AF mode
Focus aid: Available
Fine Adjustment: +/- 20 steps, 20 data can be registered
Exposure Control: Metering systemTTL open-aperture metering system (1) Digital ESP metering (49-points multi pattern metering) (2) Center weighted average metering (3) Spot metering (approx. 2% for the viewfinder screen. Highlight / shadow bases are available)
Metering range: EV 1 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering)
Exposure mode: (1) Auto (2) P: Program AE (Program shift can be performed) (3) A: Aperture priority AE (4) S: Shutter priority AE (5) M: Manual (6) Scene program AE (7) Scene select AE, Scene Program AE, Portrait, Landscape, Macro, Sport, Night + Portrait, Scene Select AE Children, High Key, Low Key, DIS mode, Nature Macro, Candle, Sunset, Fireworks, Documents, Panorama* (* Available with the Olympus xD-Picture Card), Beach & Snow,Underwater Wide, Underwater Macro
ISO sensitivity: AUTO- ISO 200 - 3200 (customizable, Default 200-800) / Manual ISO 100 - 3200, 1/3 or 1 EV steps
Exposure compensation : ±5 EV in 1/3, 1/2, 1 EV steps selectable
AE lock: AEL button (customizable)
Exposure bracketing: 3 or 5 frames in 0.3, 0.5, 0.7, 1EV steps selectable
ISO bracketing: 3 frames in 0.3, 0.7, 1EV steps selectable
Metering Standard Value Adjustment: 1/6 EV step, +/- 1EV range
White Balance: Auto WB system, Hybrid detection system with High speed Live MOS sensor and dedicated external sensor.
Preset White Balance
8 settings (3000K - 7500K)Lamp (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K)
White balance compensation: ±7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
CWB (Kelvin setting): 1 setting can be registered at Kelvin temperature (2000K - 14000K)
One-touch white balance: 1 custom setting can be registered
White balance bracketing: 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Picture Mode: Vivid, Natural, Portrait, Muted, Monotone, Custom (default setting: Natural)
In custom mode, basic 5 modes and adjustment is available.
Adjustment parameter: Contrast, Sharpness and Saturation level available in 5 steps for Vivid, Natural, Portrait and Muted , Contrast and Sharpness level available in 5 steps for Monotone.
In custom mode, garadation level available in 4 steps.
Filter effect: Yellow, Orange, Red or Green filter available for Monotone
Picture tone: Sepia, Blue, Purple or Green tone available for Monotone
Gradation: 4 levels (Auto, High key, Normal, Low key)
Shutter: Computerized focal-plane shutter
Shutter speed: P(Ps), S, A, M mode: 60 - 1/4000 sec.
Bulb: up to 30 min. (selectable longest time in the menu. Default: 8 min.
1/3, 1/2, or 1EV steps selectable.
Self-timer Operation time: 12 sec., 2 sec. (cancel available)
Remote cable release: Available (with optional RM-UC1 Remote cable.)
Optical remote control: Operation time: 2 sec., 0 sec., bulb control available (with optional RM-1 remote control)
Anti shock mode: Available (1 to 30 sec selectable)
Sequential shooting speed: Approx. 4 frames/sec. in sequential shooting H, 1 to 3 fps selectable in sequential shooting L.
Max. recordable pictures: RAW mode: Max. 5 frames. On sequential shooting
JPEG mode: Depends on compression ratio and no. of pixels (Large normal mode: approx. up to card capacity with SanDisk Extreme IV 4GB)
Integrated Flash: Built-in flash Retractable flash, GN=17 at ISO200, (GN=12 at ISO 100.m)
Compatible external flash: FL-50R, FL-36R, FL-50, FL-36, FL-20
Flash control mode: TTL Auto (TTL pre-flash mode), Auto, Manual
Flash mode: Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Manual (1/4, 1/16, 1/64), Off.
Synchronization speed: 1/180 sec. or less
Flash intensity control: Up to ±3 EV in 0.3, 0.5, 1 EV steps
Flash bracketing: 3 frames in 0.3, 0.5, 0.7, 1 EV steps selectable.
Wireless Flash Control:Compatible external flash FL-50R, FL-36R
Control method: Triggered and controlled by built-in flash light
Flash control mode: TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual.
Number of channel: 4 channels
Group setting: 3 groups
Art Filter Mode: Pop Art, Soft Focus, Pale&Light Color, Light Tone, Grainy Film, Pin Hole
Functions: Auto gain, Live View, Exposing on Recorded picture
Aspect Ratio: 4:3(Default)/3:2/16:9/6:6
Illuminated button icons : MENU,INFO,Playback,Liveview,Arrowpad(WB,AF,Metering,ISO),OK,Erase,IS
Super Control Panel: Information (shooting) Battery information, Exposure mode, Shutter speed, Aperture value, Expsosure compensation value, ISO sensitivity, Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, BKT setting, NR setting, WB, WB compensation value, Picture mode, Flash mode, Record mode, Image size, Card information,
Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode, FP warning, AF frame, AF illuminator disabled notification, , Color space, Sharpness, Contrast, Saturation, Gradation, IS activating mode, Face detection, RC mode setting, My Mode, Flash Charge, Multi Exposure, Aspect Ratio
Information
Exposure mode, Shutter speed, Aperture value, Exposure compensation value bar, Exposure compensation value
Flash compensation value bar, Flash compensation value, ALE notification, Flash compensation notification
NR notification, BKT notification, AF illuminator disabled notification, Color space
Wireless channel setting, Built-in flash intensity, Group setting
(wireless flash commander)
Back Light Timer: Back light lighting time is selectable. (Keep, 8, 30sec, 1min)
Playback mode: Single-frame, Index (4/9/16/25/49/100 frames), Calendar, Close-up ( 2 - 14X), Slideshow, Picture rotation (auto mode available), Light box
Information display: Histogram (independent luminance / RGB available),
Highlight / Shadow point warning, AF frame, Shooting information
Menu Languages: Japanese, English (Additional one language is possible to download.)Others: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Reset & Custom Setting: Custom reset 2 setting recordable
My mode: 2 setting recordable
Merge Function: 2-3 pictures, merge gain step 0.1-2.0 0.1 step
Print function: Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output
USB/Video connector: Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 is available)
Flash attachment: Hot shoe
Battery: BLS-1 Li-ion battery (included)
Sleep mode: Available (1, 3, 5, 10 min., off selectable)
No. of recordable pictures : Approx. 500 shots (optical viewfinder)
(with 50% flash light)
(with BLS-1 under CIPA testing standard)
Power battery holder: HLD-5 compatible
Dimensions/Weight: 5.11 in (W) x 3.70 in (H) x 2.36 in. (D)/130 mm (W) x 94.0mm (H) x 60 mm (D) (excluding protrusions)
Weight: 16.76 oz/475g (body only)
Box Contents: Body, Li-ion battery BLS-1, Li-ion battery charger BCS-1, USB/Video Multi cable, Eye piece cover EPC-1, Shoulder strap, OLYMPUS Master CD-ROM, Instruction manual, Warranty card.
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Mary-Kate Olsen Covers Interview Magazine
Mary-Kate Olsen strikes an artistic pose in the March 2009 issue of Interview Magazine. It’s a great feature, so here are some snippets:
I know you also have a place in L.A. and you go back and forth a lot, but do you think you’ve made New York your place? I’m definitely bicoastal, but I have to say, it’s easier to live in New York than in L.A. I feel like people respect other people’s space a bit more here. Everyone has the right to that freedom, right? Everyone has that right. It’s freezing in New York right now. In L.A., it’s sunny. But I would choose freezing over being followed.
You’re a renter, right? Yeah, I rent. It’s hard for me to figure out where I want to be. But it’s definitely in New York. I feel like New York throws different challenges at you and you can be more creative.
I hear that your clothing lines, The Row and Elizabeth & James, are breaking into menswear. Was that a natural progression? I think that was our strategy from the beginning. We also have shoes coming out-they’re going to be beautiful. Everything’s looking pretty solid.
Christina Millian Poses Sexy For The King Mag
Christina Milian is set to cover King Magazine’s 50th issue. The popular hip-hop men's magazine exclusively interviews Milian as well as discusses 50 people, places and things relevant to the mag's next 50 issues.
Milian, who also graced the publication’s cover in November/December 2004, bares next to nothing for her sophomore spread which is “guaranteed” to catch the eyes of many men, as well as women
“Christina has always been a favorite of the ‘KING’ audience,” says editor-in-chief Jermaine Hall. “Her diversity as an entertainer allows her to cast a net that catches a wide following."
You can pick up the April/May issue of King which hits newsstands February 24.
Julia Roberts Does Allure Magazine
Julia Roberts, will appear on the cover of the March issue of Allure Magazine.
Julia Roberts’ Dream Dinner Party Guestlist: President Obama and his family, ABC anchor Diane Sawyer, Mike Nichols, Oprah Winfrey and Stedman Graham, and Emmy-winning comedienne Tina Fey.
Julia Roberts, who has her first leading role since 2001 in the upcoming thriller Duplicity, will appear on the cover of the March issue of Allure Magazine.
Julia Roberts’ Dream Dinner Party Guestlist: President Obama and his family, ABC anchor Diane Sawyer, Mike Nichols, Oprah Winfrey and Stedman Graham, and Emmy-winning comedienne Tina Fey.
Julia Roberts on Motherhood: “I think it should be against the law to take a picture of a celebrity’s child,” says the fiercely protective mother of three. “Fortunately, it’s a rare occurrence for us. My husband and I are very protective of our children. We go out of our way to shelter them from the paparazzi and to still live a normal life.” “I think it should be against the law to take a picture of a celebrity’s child,” says the fiercely protective mother of three. “Fortunately, it’s a rare occurrence for us. My husband and I are very protective of our children. We go out of our way to shelter them from the paparazzi and to still live a normal life.”
Elisha Cuthbert For Complex Magazine
As a Canadian, were you surprised that the U.S. elected a black president?
Elisha Cuthbert: Now that it’s happened, it almost feels like…like it’s what’s supposed to be, which is kind of crazy. When it was confirmed that Barack Obama was going to be the next president, I got very emotional—and I can’t even vote! If you know anything about American history, you know what a huge step this has been for the country. I’m very proud of the U.S. for making some big changes.
Does being a child star in Canada come with as much baggage as it does in the States?
Elisha Cuthbert: Not really. Canada has been really supportive, and I think the main comment that I get is, “We’re really proud that you went to L.A. and you made it,” and it’s just always been really positive. They don’t look at me as this sort of awkward child star. They’ve come along for the ride and been really respectful.
Is there a paparazzi problem there?
Elisha Cuthbert: Gossip magazines are definitely being sold, and in big numbers, but I think I have more of a private life [in Canada] than I do in L.A., and it’s nice. But I think it’s how you conduct yourself, too. I mean, there are a lot of celebrities in the gossip magazines that draw a lot of attention to themselves. I try to stay busy with work as much as I can and really keep quiet when I’m not.
Were you rooting for her against Obama? Do you think she would make a good president?
Elisha Cuthbert: I think she’s completely capable, but I was really kind of, “either one.” When you’re not capable of going to the polls and voting, your perspective on the campaign is much different from someone who has to pay attention and make an informed decision. I was just like, As long as we have one of these two [Democrats], I’ll be happy. We’re a very liberal country. For us to understand Bush [was] a little bit more complicated.
Jessica Alba Talks Baby Weight
Jessica Alba talks to Elle that her baby weight battle reduced her to tears.
"(The workouts) were horrible. I cried. And I haven't worked out since.
"Eight weeks after my girlfriend had her baby, you could see her six-pack. She told me to put an elastic band about my waist -- any kind of band or girdle works, but I didn't recover as fast as she did."
National Ballet of Canada's 2009-2010 Season Annoucement
The National Ballet of Canada Announced their upcoming season today in a press conference at the Walter Carsen Centre on Queens Quay that was tinged with sadness at the news that principal ballerina Chan Hon Goh will be leaving the company at the end of the current season.
It was a moving moment as Artisitic Director Karen Kain teared up in making the announcement and the two embraced before Goh made the news official.
Emotions run high as Principal Dancer Chan Hon Goh announces her retirement after 20 years with The National Ballet
"Chan has given us 20 years of beautiful and memorable performances at the National Ballet" said Ms. Kain. "Not only has she had a stellar career, she is a wonderfully kind and generous colleague with a professional etiquette and is a great model for young dancers.
Chan brings her remarkable energy and dedication to all she puts her hand to, from the building of her business to the raising of her lovely family. I will greatly miss her on stage and off, and look forward to her exciting future."
During her remarkable career, Ms. Goh danced almost all the lead female roles in the classical repertoire, including Juliet in Romeo and Juliet, Odette/Odile in Swan Lake, Princess Aurora in The Sleeping Beauty, Tatiana in Onegin and title roles in Giselle, Madame Butterfly and La Sylphide. Recently, DanceView Magazine wrote "Goh is at the height of her powers, where technical ability and dramatic insight converge. Her dancing these days feels freer than ever; she is totally present and committed to what is unfolding on stage."
Chan Hon Goh and partner Aleksandar Antonijevic performed a segment from The Sleeping Beauty after the Season Announcement.
The 2009-2010 Season Announcement was next on the agenda, and it all kicks off next November with The Sleeping Beauty, a ballet that epitomizes, perhaps better than any other, the meaning of classical ballet.
It opens the 2009/10 season on November 13, 2009. Rudolf Nureyev’s The Sleeping Beauty was refurbished and restored to its original splendour to open The National Ballet of Canada’s inaugural season in the Four Seasons Centre for the Performing Arts.
"The Sleeping Beauty has an important place in the history of The National Ballet of Canada.
Rudolf Nureyev set his famous version of the work on our company in 1972, an event that is still a famous milestone in our artistic evolution," says Ms. Kain. "It gives me great pleasure to bring the work back this year to allow people the chance once again to revel in the riches and timeless artistry it contains."
The Fall Season’s mixed programme continues from Nov. 25 - Nov. 29 2009 featuring a new work by one of the most poised and exciting choreographers today, Edmonton-born Aszure Barton. Ms. Barton’s energetic, often riotously complex and utterly uncategorizable dances, commissioned by, among others, Mikhail Baryshnikov, Martha Graham Dance Company and Les Ballets Jazz de MontrĂ©al, have drawn praise and superlatives from all quarters. George Balanchine’s refined neo-classical The Four Temperaments and Jerome Robbins’ vigorously modernist Glass Pieces are also featured.
Chan Hon Goh and partner Aleksandar Antonijevic dance a selection from The Sleeping Beauty
The full-length work for the Winter Season will be Mr. Kudelka’s enthralling interpretation of Swan Lake, on stage March 11 – 21, 2010, throughout March Break. Never sacrificing any of the ballet’s allure, symbolic fascination and power, Mr. Kudelka re-thinks the tale for a contemporary audience.
The Summer Season features a new work by Finnish choreographer Jorma Elo, a highly sought-after choreographer who has created works for numerous ballet companies in both Europe and North America. Mr. Elo’s choreography is renowned for its speed and physicality, its intricate fusion of the classical and contemporary and for the extraordinary but rewarding demands it makes on dancers. This new work will be presented with Jerome Robbins’ exuberant and entertaining West Side Story Suite and his exquisite Opus 19/The Dreamer from June 4 – 13, 2010.
The 2009/10 season closes with one of the National Ballet’s most popular full-length story ballets, John Cranko’s Onegin, featuring beautiful new sets and costumes by Santo Loquasto, one of today’s most illustrious designers. Onegin is on stage June 19 – 25, 2010.
The company will tour to Western Canada in 2009 with 13 performances of The Sleeping Beauty: Calgary (September 17 – 19), Edmonton (September 22 – 23), Victoria (September 26), Nanaimo (September 28) and Vancouver (September 30 – October 3).
The company will tour to the National Arts Centre in Ottawa with The Sleeping Beauty November 5 – 7, 2009 for three performances.
Other touring dates will be announced later.
Chan Hon Goh takes a bow for the assembled media and patrons.